![]() The film commenced in 2000, when Jan Pinkava, who had directed the short film Geri’s Game for Pixar, began developing the treatment for what would become Ratatouille, with the idea being that Pixar would give him the director’s chair of his first full-length feature. Perhaps none of those were as pronounced as the trouble that beset Ratatouille, however. When we interviewed Pixar’s Angus MacLaine last year on the Wall-E promotional tour, he noted that every project the firm had undertaken had suffered a dark period. It awaits a DVD release, though, but it’s one film we’d definitely like to see. A documentary, Sweatbox, was subsequently released which covered Sting working on the project. And the critical response was very strong, even if the box office didn’t set the world alight. It was, eventually, released in 2000, getting a December 15th bow in the US. Also, the title changed, to The Emperor’s New Groove. Gone was the plot to capture the sun, the characters were changed, most of the Sting songs were dropped (something the singer wasn’t happy about), and the film became more of a buddy-buddy film. Producer Randy Fullman then had a six month turnaround window to sort the film out – a not insignificant time frame in what was generally regarded to be a three year production – and major changes were made. He reportedly asked for an extension of up to a year on the project, but had this turned down, and subsequently quit the project. Allers, however, was still pursuing the dramatic side. It thus brought in Mark Dindal to help with the directing of the film, and he started adding in lots of comedic elements. ![]() With the all-important commercial tie-ins in place, and early test screenings coming back with dismal results, Disney had a major problem, and didn’t have the flexibility to push back the film’s release. It was originally planned for release in 2000, but even two years before that, it was clear that it was running very late. The final version of the film, however, was much different, although it was nearly shut down altogether. Said llama, however, then – in true Disney fashion – learns about goodness, and sets off to put the world to rights. Yzma then finds out about the switch, and turns the emperor – the real one – into a llama. In the midst of all of this, though, was supposed to be Yzma, the evil witch, who summons – in order to retain her youth – a dark spirit to go and capture the sun for her. Before you can say ‘Prince And The Pauper’, the pair swap places. And the story was about a selfish emperor who discovers a double of him among the peasants of his empire. Sting had been brought in to write the songs for the film, following a strategy that had worked with Elton John and The Lion King, and to a lesser extent, Phil Collins with Tarzan. The film was originally conceived as ‘Kingdom Of The Sun’, with Lion King co-director Roger Allers at the helm.
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![]() ![]() Download the latest firmware for free: ĭjay for Mac instructions and quick start are available at DDJ-ERGO video can be viewed at For users of djay for iPad or iPhone, djay automatically syncs cue points and other metadata created while using djay over-the-air via Apple’s iCloud service to be readily available when performing live.ĭDJ-ERGO-V controller is available at a suggested retail price of 499 Euros including VAT.ĭjay for Mac with DDJ-ERGO-V compatibility, is available today on the Mac App Store for $19.99: ĭDJ-ERGO-V firmware must be updated to the latest version before using with djay for Mac. djay automatically registers the key of each playing song and matches it to songs of the same key in the iTunes library. ![]() Harmonic Match™ is a perfect example of djay’s seamless integration with the Mac platform and features the iTunes browsing interface built in. Supporting the DDJ-ERGO-V allows professionals and enthusiasts alike to enjoy this elegant and simple combination of hardware plus software.”ĭjay 4 has a stunning and efficient visual interface that pros and beginners alike can appreciate for its ease of use while delivering forward-thinking features. “We have always believed in making djay a tool for all levels of DJs. “We are thrilled to pair djay with a controller as sophisticated and fun to use as Pioneer’s DDJ-ERGO-V,” said Karim Morsy, CEO of Algoriddim. Ensuring a seamless and easy user experience, the unique DDJ-ERGO-V Pulse Control gives a visual representation of pitch, beat and decks in use. The native integration of the DDJ-ERGO-V with djay enables direct access to all key features via dedicated controls, mirroring djay’s graphical user interface. Like djay 4 for Mac, the DDJ-ERGO-V places the same emphasis on the DJing experience – bringing simplicity to both set-up and performance without compromising on features or sound quality. Since its introduction in September 2011, the DDJ-ERGO-V controller has been lauded for its sharp design and portable dimensions. “djay packs powerful and innovative features such as Harmonic Match™, enhanced audio FX, and a visual key match wheel.” “We were blown away by the new version of djay and felt it was a perfect fit for the DDJ-ERGO-V,” said Jason Pook, Product Development Manager for Pioneer Europe. This collaboration provides instant pairing of Pioneer’s high quality sound and intuitive operability to the popular and ever sophisticated djay 4 for Mac OS X Lion. 19th January 2012: The Pioneer DDJ-ERGO-V controller now benefits from native plug & play support built into Algoriddim’s djay software. ![]() More than fifteen years into Tool’s career, he has composed words with the depth and resonance to match the music. The album title refers to the time between when Keenan’s mother became paralyzed in the 1980s and when she died, in 2003, an experience that inspires some of Keenan’s most poignant lyrics yet (“10,000 days in the fire is long enough/You’re going home”). Singer Maynard Keenan’s operatic vocals, alternately simmering and shrill, are more personal and less pretentious here than ever before. The web of shifting dynamics and time signatures sounds so primal, so visceral, that any lyrical message seems incredibly important. On the opener, “Vicarious,” the quartet reprises its primary formula, which dates back to the 1993 debut, Undertow: Each player keeps his own syncopated version of the central groove until they unite for the first of many spine-tingling crescendos - then, just as sharply, the foursome de-crescendos into a brooding instrumental jam, as the rhythmic and melodic lines meander and cross until the next explosion. On 10,000 Days, their fourth album, Tool maintain a level of craftsmanship and virtuosity unparalleled in metal. But the music has such anthemic power that even the most cynical listener can find himself chanting along to lines like “To ascend, you must die!/You must be crucified!” After a wait of nearly five years, Tools fourth album picked up where the sprawling, careening Lateralus left off: guitarist Adam Jones and bassist Justin. ![]() Tool’s dense, often quasi-religious lyrics have always been among the most overwrought in mainstream metal - no small feat. ![]() Continued abuse of our services will cause your IP address to be blocked indefinitely. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior. ![]() ![]()
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